Representasi Komunikasi Nadia Omara melalui Channel Youtube Spesial Kisah Horor Wawak Part 55

Authors

  • Wulan Nuraini Universitas Bina Sarana Informatika
  • Salmaa Naba Ardani Universitas Bina Sarana Informatika
  • Zahrani Putri Diasti Universitas Bina Sarana Informatika
  • Indah Indah Universitas Bina Sarana Informatika
  • Nabilah Nabilah Universitas Bina Sarana Informatika

DOI:

https://doi.org/10.54259/mukasi.v5i1.6206

Keywords:

Communication Representation, Youtube, Storytelling, Horror Content, Audience Perception

Abstract

This study aims to analyze the representation of communication constructed by Nadia Omara through her YouTube channel Spesial Kisah Horor Wawak, particularly in episode Part 55 entitled “Kekasih Gaib.” This research is grounded in a constructivist paradigm, employing a qualitative descriptive approach with a phenomenological design. Data were collected through content observation of the video, analysis of verbal and nonverbal communication elements, audio-visual representations, and audience responses found in the comment section. The findings reveal that Nadia Omara plays a central role as the main communicator who actively constructs meaning through narrative storytelling, expressive intonation, appropriate diction, and supportive audio-visual elements. Although the story presented contains subjective and unverifiable mystical elements, the communication representation successfully builds a sense of realism and credibility among the audience. The use of visual illustrations, narrative text, sound effects, and dominant dark tones strengthens the emotional atmosphere and enhances audience immersion. Audience responses indicate strong emotional engagement, ranging from fear and empathy to mixed feelings, demonstrating that viewers not only consume the content as entertainment but also interpret it as a meaningful experience. This study concludes that effective communication representation in digital media can significantly influence audience perception and trust, even when the content lies between reality and imagination.

Downloads

Download data is not yet available.

References

Damayani Pohan, D., & Sayyidatul Fitria, U. (2021). Jenis jenis komunikasi. 2, 29–37.

Effendy, O. U. (2009). Ilmu komunikasi.

Febriannur Rachman, R. (2020). Representasi dalam Film.

Hall, S. (1997). CHAPTER ONE THE WORK OF REPRESENTATION. 1–48.

Hasbiansyah, O. (2008). Pendekatan fenomenologi: Pengantar praktik penelitian dalam Ilmu Sosial dan Komunikasi. Mediator: Jurnal Komunikasi, 9(1), 163–180.

Ilallah, A. S. (2023). Representasi Makna Tasamuh Dalam Film Mencari Hilal (Analisis Semiotika Roland Barthes). Jurnal Dunia Pendidikan, 4(1), 492–518.

Kalaloi, A. F. (2022). Melihat Fragmentasi dan Keaktifan Audiens dalam Menentukan Platform dan Melihat Fragmentasi dan Keaktifan Audiens dalam Menentukan Platform dan Informasi di Media Online. October 2019. https://doi.org/10.17605/OSF.IO/Z9BHC

Kusumastuti, A., & Khoiron, A. M. (2019). Metode penelitian kualitatif. Lembaga Pendidikan Sukarno Pressindo (LPSP).

Lumentut, D. M., Telah, C. F., Tinggi, S., Dan, B., & Dua, M. (2024). Analisis Kinerja Karyawan Terhadap Pendapatan di CV . Goodspeed Coffee Bitung.

Nurani, D. C., & Rahmadiva, L. A. (2025). Analisis Personal Branding: Kesuksesan Pembawaan Cerita Kisah Horor Wawak Nadia Omara di YouTube. MUKASI: Jurnal Ilmu Komunikasi, 4(3), 1055–1069.

Nurfajriani, W. V., Ilhami, M. W., Mahendra, A., Afgani, M. W., & Sirodj, R. A. (2024). Triangulasi data dalam analisis data kualitatif. Jurnal Ilmiah Wahana Pendidikan, 10(17), 826–833.

NURRAMAH. (2017). Konvergensi dari media konvensional ke digital. https://repositori.uin-alauddin.ac.id/15107/1/NURRAHMAH-KONVERGENSI DARI MEDIA KONVENSIONAL KE DIGITAL _compressed.pdf

Omara, N. (n.d.). YouTube Nadia Omara. https://www.youtube.com/@NadiaOmaraa

Pahleviannur, M. R. (2022). PARADIGMA PENELITIAN. Metodologi Penelitian Kualitatif, 1.

Rahardjo, M. (2010). Triangulasi dalam penelitian kualitatif.

Ramdhan, M. (2021). Metode penelitian. Cipta Media Nusantara.

Rorong, M. J. (2020). Fenomenologi. Deepublish.

Rukajat, A. (2018). Pendekatan penelitian kuantitatif: quantitative research approach. Deepublish.

Siyoto, S., & Sodik, M. A. (2015). Dasar metodologi penelitian. literasi media publishing.

Trie, H., Aliya, D., Putri, M. A., & Dalimunthe, M. A. (2023). PENGARUH KONTEN NADIA OMARA TERHADAP PERSEPSI DAN MINAT PENGIKUT DI PLATFORM MEDIA. 3, 178–187.

Vira, A., & Reynata, E. (2003). PENERAPAN YOUTUBE SEBAGAI MEDIA BARU DALAM KOMUNIKASI.

Downloads

Published

2026-02-15

How to Cite

Wulan Nuraini, Salmaa Naba Ardani, Zahrani Putri Diasti, Indah, I., & Nabilah, N. (2026). Representasi Komunikasi Nadia Omara melalui Channel Youtube Spesial Kisah Horor Wawak Part 55. MUKASI: Jurnal Ilmu Komunikasi, 5(1), 462–472. https://doi.org/10.54259/mukasi.v5i1.6206